We use a custom console built around an SSL Nucleus for DAW control Anyway, the SSL Nucleus works great with Nuendo but its not giving me any control over WL. Įither way, its absolutely essential because I can get a much more sonically pleasing result from our hardware than what any UAD2/Waves plugin is ever gonna provide. For many clients, that’s what they’re paying us for. It very important that I be able to process tracks and projects through our analog hardware.
I don’t see the “External Plugin” plugin anywhere on the master bus.
It looks like I’m going to be able to do all of that within WaveLab (except maybe tempo mapping, idk if WL has a way to figure out the tempo quickly)Ģ things I’m disappointed with right now though and they’re actually extremely important… Adjust and fades and little touchups that I night catch before exporting Add what little metadata it allows me to add.Export in real-time each song 1 at a time.Get a consistent sound and level across all tracks.Load all tracks into Nuendo for analog and plugin processing.Export at 32bit/96kHz or double whatever the rate the track originally was.Normalize each track so that I have a consistent starting point.Map the tempo of each and make note of the bpm.Load clients files 1 at a time into Acid Pro.This truly is THE mastering suite.įor years, my mastering process went something like this: What I’m thanking you (and everyone else in the forum that recommended going through with the investment) for. I was gonna watch some tutorials but decided to close out the app, start over, and just get to working on something like it matters and I’ve got the hang of it for the most part now, I think. Justin, thank you so much for your original advice. Appears to be a problem during import, if I had to guess. I loaded a file from a project I’ve been meaning to remaster for a client and everytime I press play, I just get load static. However, I’m having a problem that doesnt make much sense.
Download acid pro 4 activation code#
Now I’m waiting on the activation code to be sent (system must be bogged down by all the online sales today) and I decided to familiarize with Elements while I wait, so I can speak on the difference first-hand.
Download acid pro 4 upgrade#
Then I just bought the upgrade from Elements to Pro 11 for $30 less than direct today (“Cyber Monday”). I bought Elements 11 on Black Friday from Sweetwater for $50 less than Steinberg charges direct. Additionally, the clients tend to load their copy directly to their phone, car, and whatever other devices before releasing and they often email MP3s to friends/contributors so having a commercial quality file adds to that impression of professionalism. That’s why something as seemingly simple as metadata is a big deal for our studio.